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Images of decay and regeneration photographed using a video camera whose sensor has been modified for infrared photography create a post apocalyptic, strangely beautiful, but disconnected world. A series of largely deserted rural and urban landscapes concretizes the bittersweet memories of a failed relationship that haunts the narrator in Pamela Falkenberg and Jack Cochran's film poem of Lucy English's The Names of Trees, for her Book of Hours project.