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'Camp' explores the secrets that underscore a personal relationship to Jewish history and culture. Through a look at 3 camp environments, I engage with a queer re-telling of the traditional Purim story, the censored passages in Anne Frank's diary, and a haircut given to me by my grandfather in order to reveal the ways in which these secrets haunt the surface of our cultural moments. CAMP is framed through a play on the word 'camp' utilizing a camp sensibility amidst an analysis of temporary built environments. Through this frame I engage with what we choose to keep hidden in these contemporary moments, and point to a larger fear of speaking out against injustice as a cause for silence.