Hour or a Fis... (2010)

Through various techniques of movement re-appropriation attentive to a cultural structuralism built from the organization paradigms of mirror neurons, hour) or a fis.. (pronounced Our Orifice) is an exploration into the cinematic utilization of visceral sensation as access point into amplified states of arousal. And through interactions with an editing style invested with a gymnastic distribution of vestibular dynamics, the orientation of the viewer's morality of attention remembers a modality of engagement, weightless, limitless, joyfully unconcerned with understanding, worn upon entering a playground. As such, the presentation of reordered movement, in a manner that is much more commensurable with lived experience, does not suggest itself as a distinct form but rather as a relationship.