A huge recreation of Poussin's painting named "Midas and Bacchas" dominates an entire wall in Petra von Kant's bedroom. It depicts partially and fully naked men and women, but it's in the style of classical nudity and isn't sexual. A few moderate sex references here and there ("he climbed on me the way a bull climbs a cow", "a big black man with a big black dick").

None.

Two uses of "shit", three uses of "slut", three uses of "whore", one use of "damned".

Petra smokes in the opening scene. In one scene Petra is drunk, and in another she lies on the floor, drinking heavily and cursing Karin for making her fall in love with her.