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She was a celebrated star of the film and theater, a modern woman of the 1920s, politically active and perhaps the most portrayed woman of her time. The roles of Tilla Durieux (1880-1971) were as varied as the artists for whom she posed as a model. Through her first husband, the artist Eugen Spiro, she first came into contact with the visual arts and the corresponding circles which she herself would become a part of via her second husband, the art dealer and publisher Paul Cassirer.