The Performer (and some brief thoughts on beauty from upper management) (2020)

On a melancholic summer evening we follow the strange, passed out body of 'Zac Zallion The Sundays Child' (an extravagant pop icon, known for his bad mental health, addictions and depressions,) while he is transported to a show in a pitch black limousine, filled with managers and entourage. Inside the venue an army of doctors, stylists and make-up artists brings him back to life, and start to transform him from a passed out body to an exotic pop star. While the ocean of screaming fans and flashing camera lights comes closer, questions start to arise: "Why are we so intrigued by these troubled pop stars?" "Is it our intriguement that keeps these problems alive? And most importantly: "How many of these elements relate to our own lives and the performance we put on ourselves everyday?"