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The film begins with our poet typing the text of his radio-play. The doctors enter directly into his literary imaginings and proceed to assess the readiness of the patient for this radically experimental treatment. The patient then leads us into fragmentation and poetic subtext, establishing the patient as a direct cipher for the poet. In the isolation of his office Cerletti stares into his mirror, and takes a deep look into his own ethical framework: torn by the desire for success, yet he sees the potential for failure and the world to view him as an unethical monster. As the film moves towards the climax of the experiment we explore the minds of the doctors who are actually projections of the deeply subjective mind of the patient and poet, juggling their own complex identities and delusions.