The main character's alleged sexual improprieties are a major theme of the film, but are not discussed in graphic detail.

Lydia Tár is seen naked for a couple of seconds in one scene, while washing herself from a distance. Her bare buttocks and side boob (including nipple) are seen, but full frontal nudity is blink and you will miss it.

Some kissing and scenes of seduction. There is a lesbian kiss.

Tár helps a woman put her ill mother into a chair who is nude, which is shown somewhat briefly. Not sexual whatsoever.

A woman trips on a concrete stair. We see some after views of her injury, with bruises and a little blood.

A woman vomits.

A woman pushes a man and he falls to the ground. When he stands up, she punches him on his face.

5 uses of "fuck," 1 use of "shit," several each of "bitch," "asshole," "hell," and "goddamn."

A woman takes pills throughout, and they are implied not to be hers.

A few scenes of social drinking (wine/champagne).

The entire mood of this film is intense, especially in later scenes where the lead character is accused of impropriety and loses touch with reality.

The decline of a woman's perception of reality is quite disturbing.

Subtle heavy sinister feeling throughout paired with surreal creepy dream sequences and hidden ghosts.