Top 20 Mother's Movies

Aurora and Emma are mother and daughter who march to different drummers. Beginning with Emma's marriage, Aurora shows how difficult and loving she can be. The movie covers several years of their lives as each finds different reasons to go on living and find joy. Aurora's interludes with Garrett Breedlove, retired astronaut and next door neighbor are quite striking. In the end, different people show their love in very different ways.

Rusty Dennis (Cher) is the mother of Rocky (Eric Stoltz), a seriously deformed, but extremely intelligent and emotionally warm teenager. Rusty is a no-nonsense mother whose wild lifestyle is often at odds with her tenderness and protectiveness towards Rocky. She is determined that Rocky be given the same chances and happiness that everyone else takes for granted.

Anna Mae Bullock always had a special voice. Soon after arriving in St. Louis to live with the mother who had walked out when she was small, she soon attracts the attention of pop group leader Ike Turner. She becomes his band's singer, his wife, and mother to his children - not all hers. In love with him and determined not to leave in the way her mother had, she finds herself the target of increasing violence from him who can't see who is making his band such a success.

Echoes of "Madame Bovary" in the American suburbs. Sarah's in a loveless marriage to an advertising executive, long days with her young daughter at the park and the pool, wanting more. Brad is an immature househusband, married to a flinty documentary filmmaker. Ronnie is just out of prison - two years for indecent exposure to a minor - living with his elderly mother, May; Larry is a retired cop, fixated on driving Ronnie away. Sarah and Brad connect, a respite of adult companionship at the pool. Ronnie and Larry have their demons. Brad should be studying for the bar; Larry misses his job; Ronnie's mom thinks he needs a girlfriend. Sarah longs to refuse to be trapped in an unhappy life. Where can these tangled paths lead?

A mother and her daughter, a mother and her son, and a man living with one and attracted to the other. Miro, a teen from Sarajevo, lives near King's Cross with his mother; he's nimble, able to run across roofs, so his uncle hires him to break into office skylights, so the uncle can boost computers. Twice they steal from Will's architectural firm, so Will stakes it out at night. He follows Miro home and returns the next day and meets Miro's mother, Amira. At home, Will's relationship with Liv is strained - he feels outside Liv and her daughter Bea's circle. The stakeout and Amira's vulnerability are attractive alternatives to being at home. The police, too, watch Miro.

It's early 1959 in a provincial French village, where residents know their place, and if they see something against the unspoken rules, they are to look the other way. The only exception to this rule is the Mayor, le Comte de Reynaud, who is seen as the town's moral authority, even more so than Pere Henri, the new young Catholic priest whose sermons are vetted by le Comte. Literally blowing into town is free spirit Vianne Rocher and her adolescent daughter Anouk Rocher, who move from place to place wherever the north wind takes them. Renting the long empty space that used to house the patisserie, the property owned by elderly Armande Voizin, Vianne instead opens a chocolaterie which none of the residents are aware of until it opens. While Vianne, through the chocolaterie, is able to help certain residents in exposing some of the village's hidden ills, she nonetheless raises the ire of le Comte in almost everything about her being: that she is promoting the indulgence of chocolate in the season of Lent, a period of abstinence and penitence; that she does not attend church; and that she has never been married meaning that Anouk is illegitimate. Vianne is viewed in an even less flattering light when she takes up with Roux, the lead of a band of self-confessed river rats floating into town, he, who like Vianne, is a nomadic free spirit. The questions become who between Vianne and le Comte will outlast the other or come to an understanding of the errors of their ways to be able to live in harmony with the other.

Anna and Ben, the two children of Jackie and Luke, must cope with the fact that their parents divorced and their father is now with successful photographer Isabel. She does her best to treat the kids in a way that makes them still feel at home when they're with their dad, but she also loves her work and doesn't plan to give it up. But full-time mother Jackie finds Isabel's efforts offensively insufficient and can't understand that work can be important to her as well as the kids. The conflict between them is deepened by the sudden diagnosis of cancer, which might be deadly for Jackie. They all have to learn a little in order to grow together.

When his army unit was ambushed during the first Gulf War, Sergeant Raymond Shaw saved his fellow soldiers just as his commanding officer, then-Captain Ben Marco, was knocked unconscious. Brokering the incident for political capital, Shaw eventually becomes a vice-presidential nominee, while Marco is haunted by dreams of what happened -- or didn't happen -- in Kuwait. As Marco (now a Major) investigates, the story begins to unravel, to the point where he questions if it happened at all. Is it possible the entire unit was kidnapped and brainwashed to believe Shaw is a war hero as part of a plot to seize the White House? Some very powerful people at Manchurian Global corporation appear desperate to stop him from finding out.

Gail Hartman is facing problems with with her husband, the workaholic architect Tom. On their son Roarke's birthday, Gail decides to leave their, Willa, daughter with her parents and take her family to raft down a wild river where she was a guide. On the departure, a young man named Wade befriends Roarke and leaves the place with his friends, Terry and Frank. Later the Hartmans encounters Wade and Terry, who do not have rafting experience, and Gail helps them to cross a whitewater. They get closer to the Hartmans, who soon learn a dark secret about them. What will they do to get rid of them?

An elderly Jewish widow living in Atlanta can no longer drive. Her son insists she allow him to hire a driver, which in the 1950s meant a black man. She resists any change in her life but, Hoke, the driver is hired by her son. She refuses to allow him to drive her anywhere at first, but Hoke slowly wins her over with his native good graces. The movie is directly taken from a stage play and does show it. It covers over twenty years of the pair's life together as they slowly build a relationship that transcends their differences.

Raimunda, her daughter Paula and her sister Sole travel from Madrid to the windy and superstitious village of Alcanfor de las Infantas to visit the grave of their mother Irene, who died years ago in a fire with her husband. Then they visit Irene's sister Paula, an old senile aunt that raised Raimunda after the death of her parents that insists to tell them that Irene is alive and living with her; later, they go to the house of her neighbor and friend Agustina, who gives a support to Paula. They return to Madrid, and after a hard day of work, Raimunda meets her daughter completely distraught at the bus stop waiting for her. When they arrive home, Paula tells her mother that she killed her unemployed father Paco, who was completely drunk and tried to rape her. While Raimunda hides his body, Sole calls her to tell that their beloved aunt Paula has died. The next morning, Sole travels alone to the funeral, and when she returns to Madrid, she finds her mother hidden in the trunk of her car. She brings Irene to her apartment, where secrets from the past are disclosed.

Erin Brockovich-Ellis is an unemployed single mother, desperate to find a job, but is having no luck. This losing streak even extends to a failed lawsuit against a doctor in a car accident she was in. With no alternative, she successfully browbeats her lawyer to give her a job in compensation for the loss. While no one takes her seriously, with her trashy clothes and earthy manners, that soon changes when she begins to investigate a suspicious real estate case involving the Pacific Gas & Electric Company. What she discovers is that the company is trying quietly to buy land that was contaminated by hexavalent chromium, a deadly toxic waste that the company is improperly and illegally dumping and, in turn, poisoning the residents in the area. As she digs deeper, Erin finds herself leading point in a series of events that would involve her law firm in one of the biggest class action lawsuits in American history against a multi-billion dollar corporation.

After years of beatings and terror, Francine Hughes set fire to her abuser's bed while he slept. Her confession and subsequent murder trial held the nation enthralled. A dramatic story of a woman pushed over the edge.

Pivoting around the lively Truvy Jones' Louisiana beauty parlour, a tightly-knit band of friends, confront griefs, loss, life's unforeseen tragedies and heartaches with what they do best: gossiping and sharing. The spirited diabetic and bride-to-be, Shelby; her always supportive mother, M'Lynn; Truvy's gawky assistant, Annelle; the city's curmudgeon, Ouiser; and the town's former first lady, Clairee, are the warm Southern belles who know how to survive life's challenges with their unwavering friendship. But when Shelby decides to conceive, things will turn upside down..

Sophie is the survivor of Nazi concentration camps, who has found a reason to live with Nathan, a sparkling if unsteady American Jew obsessed with the Holocaust. They befriend Stingo, the movie's narrator, a young American writer new to New York City. But the happiness of Sophie and Nathan is endangered by her ghosts and his obsessions.