Las películas favoritas de Martin Scorsese

Following his early retirement as a detective from the San Francisco Police Department, John Ferguson - Scottie to his friends - becomes obsessed with two women in succession, those obsessions which trouble his long time friend and former fiancée, Midge Wood, a designer of women's undergarments. The first is wealthy and elegant platinum blonde Madeleine Elster, the wife of his college acquaintance Gavin Elster, who hires John to follow her in Gavin's belief that she may be a danger to herself in thinking that she has recently been possessed by the spirit of Carlotta Valdes, Madeleine's great-grandmother who she knows nothing about, but who Gavin knows committed suicide in being mentally unbalanced when she was twenty-six, Madeleine's current age. The second is Judy Barton, who John spots on the street one day. Judy is a working class girl, but what makes John obsessed with her is that, despite her working class style and her brunette hair, she is the spitting image of Madeleine, into who he tries to transform Judy. The initial question that John has is if there is some connection between Madeleine and Judy. What happens between John and individually with Madeleine and Judy is affected by the reason John took that early retirement: a recent workplace incident that showed that he is acrophobic which leads to a severe case of vertigo whenever he looks down from tall heights.

In the beginning of the springtime in the period of the Japanese Civil Wars of the Sixteenth Century in Lake Biwa in the Province of Omi, the family man farmer and craftsman Genjurô travels to Nagahama to sell his wares and makes a small fortune. His neighbor Tobei that is a fool man dreams on becoming a samurai, but he can not afford to buy the necessary outfit. The greedy Genjurô and Tobei work together manufacturing clay potteries, expecting to sell the pieces and enrich; however, their wives Miyage and Ohama are worried about the army of the cruel Shibata that is coming to their village and they warn their ambitious husbands. Their village is looted but the families flee and survive; Genjurô and Tobei decide to travel by boat with their wives and baby to sell the wares in a bigger town. When they meet another boat that was attacked by pirates, Genjurô decides to leave his wife and son on the bank of the river, promising to return in ten days. Genjurô, Tobei and Ohama raise a large amount but Tobei leaves his wife to buy the samurai outfit and seek fame and fortune. Meanwhile the female aristocratic Lady Wakasa and her servant ask Genjurô to bring her shopping to her fancy Kutsuki House. Sooner Genjurô and Tobei discover the price they have to pay for their ambition.

Three years after the Civil War, battle-scarred Confederate veteran Ethan Edwards returns to his brother Aaron's remote Texan homestead. But instead of finding peace, the taciturn soldier finds tragedy when the murderous raiding party of ruthless Comanche Chief Scar massacres his family, burns the ranch to the ground, and abducts his 9-year-old niece, Debbie. Fearing the worst, Ethan and his young companion, Martin Pawley, embark on a dangerous 5-year odyssey to rescue the girl, fuelled by hatred and a thirst for vengeance. However, as the searchers ride through the unforgiving desert to track down their lost Debbie, they must confront their demons and answer an unvoiced question. Is the woman they seek still the same person they once knew?

In 1950, 28-year-old outlaw Salvatore Giuliano is found gunned down in a Sicilian courtyard. Little is as it seems. The film moves back and forth between the late 1940s, when Giuliano and other reprobates were recruited by separatist politicians to do their fighting, and the days leading up to and following Giuliano's death. After Sicily's self-rule is declared, will the outlaws be pardoned as promised? And why does Giuliano order his gang to fire on a peaceful May Day rally? Police, Carabinieri, and Mafia have their uses for him. There's a trial after his death: will the truth come out or does the code of silence help protect those in power?

Harriet, now an adult, narrates the story of her coming of age, growing up as a British national and as a daughter of a jute press manager in the Bengal region of India, they living in the big house on the banks of one of the holy rivers. At the time, she is the eldest of six siblings - five girls and one boy - with another one on the way and with her being significantly older than the rest of her siblings. As such, she spends much time with an honorary member of their family, a late teen - not quite an adult - named Valerie, also a British national and the daughter of the jute press owner. Another friend, who recently arrived home from her western schooling, is Melanie, the biracial daughter of British national Mr. John and his deceased Hindu wife. Both Mr. John and Melanie realize her difficult position, straddling both the Hindi and western cultures. Their small world is shaken up with the arrival of Captain John, Mr. John's cousin and an American ex-military man who has one prosthetic leg, the result of his time in the war. He is a somewhat sullen man who is running away from anything that reminds him of his time before his physical disability. Regardless, he has an effect on all three of Harriet, Valerie and Melanie in different ways, which nonetheless tests their friendships. In combination with other things that happen, this may provide Harriet with a bigger view of life in her coming of age.

Under the authoritarian rule of charismatic ballet impressario Boris Lermontov, his proteges realize the full promise of their talents, but at a price: utter devotion to their art and complete loyalty to Lermontov himself. Under his near-obsessive guidance, young ballerina Victoria Page is poised for superstardom, but earns Lermontov's scorn when she falls in love with Julian Craster, composer of "The Red Shoes," the ballet Lermontov is staging to showcase her talents. Vicky leaves the company and marries Craster, but still finds herself torn between Lermontov's demands and those of her heart.

Enmeshed with the Italian Campaign during the liberation of Italy from July 1943 to late 1944, six distinct but unconnected episodes unfold in which American military personnel interact with Italian locals--some sympathetic, others hostile--as the Germans are forced to retreat from Sicily to the delta of the Po River. Beginning in Sicily, local girl Carmela guides a band of American soldiers through a minefield with devastating results; then in Naples, Pasquale, an orphaned child of war, steals the boots of an inebriated African-American G.I. and is later followed back to his war-battered town. In liberated Rome, the impoverished young prostitute Francesca waits for the American soldier who fell in love with her six months before; in Florence, during a battle across the Ponte Vecchio, Harriet, a nurse in an American military hospital, risks her life to reunite with her lover. Next, three army chaplains are taken in by a Roman Catholic monastery in the Apennine Mountains, although only one of them is a Catholic. Finally, on the banks of Po River at its delta near Venice, American OSS officers and Italian Partisans fight the Nazis, after saving two downed English pilots.

How do we understand faith and prayer, and what of miracles? August 1925 on a Danish farm. Widowed Patriarch Borgen, who's rather prominent in his community, has three sons: Mikkel, a good-hearted agnostic whose wife Inger is pregnant, Johannes, who believes he is Jesus, and Anders, young, slight, in love with the tailor's daughter. The fundamentalist sect of the girl's father is anathema to Borgen's traditional Lutheranism; he opposes the marriage until the tailor forbids it, then Borgen's pride demands that it happen. Unexpectedly, Inger, who is the family's sweetness and light, has problems with her pregnancy. The rational doctor arrives, and a long night brings sharp focus to at least four views of faith.

In the 1860s, a dying aristocracy struggles to maintain itself against a harsh Sicilian landscape. The film traces with a slow and deliberate rhythm the waning of the noble home of Fabrizio Corbero, Prince of Salina (the Leopard) and the corresponding rise to eminence of the enormously wealthy ex-peasant Don Calogero Sedara. The prince himself refuses to take active steps to halt the decline of his personal fortunes or help build a new Sicily, but his nephew Tancredi, Prince of Falconeri, swims with the tide and assures his own position by marrying Don Calogero's beautiful daughter Angelica. The climatic scene is the sumptuous 40-minute ball in which Tancredi introduces Angelica to society.

Kanji Watanabe is a civil servant. He has worked in the same department for 30 years. His life is boring and monotonous, though he once used to have passion and drive. Then one day he discovers that he has stomach cancer and less than a year to live. After the initial depression he sets about living for the first time in over 20 years. Then he realises that his limited time left is not just for living life to the fullest, but to leave something meaningful behind.

In Ambricourt, an idealistic young Priest (Claude Laydu) arrives to be the local parish priest. He attempts to live a Christ-like life, but his actions are misunderstood. The community of the small town does not accept him, and although having a serious disease in the stomach, the inexperienced and frail priest tries to help the dwellers, and has a situation with the wealthy family of the location.

A group of reporters are trying to decipher the last word ever spoken by Charles Foster Kane, the millionaire newspaper tycoon: "Rosebud." The film begins with a news reel detailing Kane's life for the masses, and then from there, viewers are shown flashbacks from Kane's life. As the reporters investigate further, the viewers see a display of a fascinating man's rise to fame, and how he eventually fell off the top of the world.

Maciek, a young Resistance fighter, is ordered to kill Szczuka, a Communist district leader, on the last day of World War II. Though killing has been easy for him in the past, Szczuka was a fellow soldier, and Maciek must decide whether to follow his orders.

Guido is a film director, trying to relax after his last big hit. He can't get a moment's peace, however, with the people who have worked with him in the past constantly looking for more work. He wrestles with his conscience, but is unable to come up with a new idea. While thinking, he starts to recall major happenings in his life, and all the women he has loved and left. An autobiographical film of Fellini, about the trials and tribulations of film making.

"2001" is a story of evolution. Sometime in the distant past, someone or something nudged evolution by placing a monolith on Earth (presumably elsewhere throughout the universe as well). Evolution then enabled humankind to reach the moon's surface, where yet another monolith is found, one that signals the monolith placers that humankind has evolved that far. Now mankind, assisted by artificial intelligence (such as HAL), must dare to encounter the monolith placers. If successful, the next step in evolution--whatever it is--will be achieved.