Noise Reduction II: Chinatown (2014)

The lament over the 'death' of film is re-enacted digitally, as the screen-as-landscape reacts to the material exegeses of film-scratches, splices, sprockets, dust etc.-that are digitally [de/re]constructed, in (im)probable verisimilitude to Celluloid. The sound design, text, and voice-over contribute to the film experience, as it simultaneously criticizes it.