Panda with Red Ears (2008)

Images recorded on the road that can either be a borderline between a pasture and wasteland, or between a man and a woman, or a homeland and a foreign country, or an animal and a human being make up a film report - with chapters Hong Kong, Tibet, China and Ours - about a journey east defined by the tension between elusive fragments and solid memories, between ghosts of ephemeral and rest of meditation; image alone becomes the journey's consciousness, reminder of infinity in the finite world.