Anima, l'esprit des marionnettes (2005)

Which child is not fascinated by a puppet show? And what adult does not keep the emotional memory of these inanimate objects finding a soul through the magic of manipulation? Whether it represents a human or an idea, whether giant or lilliputian, whether it is made of a sock, it is universal and impresses with its evocative power. Between the artist and the character who is his double or projection, we do not know who is who. The puppet defies our imagination. Better than an actor, limited by his human body, she allows herself to say everything. No barrier of reality limits it; recreate the Battle of Stalingrad on a theater stage becomes possible.